2018 Hugo Finalists: Best Editor, Short Form

Here is a guide to the work of this year’s six Hugo Finalists for Best Editor, Short Form.  Wherever possible, I’ve added links to full text, excerpts, or more details on the short fiction they edited during 2017.  Please let me know if you have any additional information or corrections.

 

John Joseph Adams has been a finalist in this category seven times.  As editor of Lightspeed Magazine, he has won two out of five nominations for Best Semiprozine.  (Lightspeed is now a professional magazine and no longer qualifies as a semiprozine.)  Adams edited the following magazines and anthologies last year:

 

Neil Clarke has been a finalist in this category six times.  As editor of Clarkesworld Magazine, he has won three out of four nominations for Best Semiprozine.  (Clarkesworld has also graduated from semi-pro to pro and no longer qualifies in that category.)  Two novelettes from Clarkesworld“The Secret Life of Bots” by Suzanne Palmer and “A Series of Steaks” by Vina Jie-Min Prasad, are Hugo finalists this year.  Clarke edited the following magazines and anthologies last year:

 

Lee Harris was a 2014 finalist for Best Editor, Long Form.  This is his first time as finalist in this category.  He edited three of the Best Novella finalists:  All Systems Red by Martha Wells (Murderbot Diaries #1), Binti: Home by Nnedi Okorafor (Binti #2), and Down Among the Sticks and Bones by Seanan McGuire (Wayward Children #2).  Harris also edited the following short fiction from Tor.com last year:

 

Jonathan Strahan has been a finalist in this category nine times.  As co-host of The Coode Street Podcast, he has also been nominated five times for Best Fancast.  One of the novelettes he edited for Tor.com, “Extracurricular Activities” by Yoon Ha Lee (The Machineries of Empire), is a Hugo finalist this year.  Strahan also edited the following anthologies from Solaris and short fiction from Tor.com last year:

 

Lynne M. Thomas and Michael Damian Thomas are two-time finalists in this category.  As co-editors of Uncanny Magazine, they are also finalists for Best Semiprozine this year and the winners of that category for the previous two years.  As former editors of Apex Magazine, Lynne has three additional nominations for Best Semiprozine, and Michael has two.  Lynne has also won one of two nominations for co-editing Best Related Work finalists, won twice in Best Fancast as a moderator of SF Squeecast, and additionally been a finalist in Best Fancast both this year and in 2014 as a contributor to the Verity! Podcast.  Michael was also a co-editor of another Best Related Work finalist.  The following six stories from Uncanny Magazine are Hugo finalists this year:

 

Sheila Williams became the editor of Asimov’s Science Fiction Magazine in 2004 and has won two of eleven nominations in this category.  She was also a one-time finalist for Best Professional Editor just before the category was split into Long Form and Short Form.  One of Asimov’s novelettes, “Wind Will Rove” by Sarah Pinsker, is a Hugo Finalist this year.  Some of Asimov’s other notable stories from last year are currently available at the following links:

 

I imagine I will probably rank Lynne M. Thomas and Michael Damian Thomas first since they were my only nominees which made the finalist list in this category.  I’m a regular reader of both Lightspeed and Clarkesworld so John Joseph Adams and Neil Clark will probably be second and third.  I nominated stories edited by Lee Harris and Sheila Williams and enjoyed most of the online Tor.com stories edited by Jonathan Strahan, but I really need to read more before making my final decisions.  What are your thoughts on these finalists?

2018 Hugo Awards: Best Editor

The Hugo Award for Best Professional Editor was first award in 1973 when it replaced the Best Professional Magazine category.  In 2007 it was split into Short Form (editors of short fiction) and Long Form (editors of novels).

 

Best Editor, Short Form:

The editor of at least four (4) anthologies, collections, or magazine issues (or their equivalent in other media) primarily devoted to science fiction and/or fantasy, at least one of which was published in 2017.

I did some number crunching on the editors from the magazines I read last year to find out which had the highest percentage of stories I liked and the lowest percentage I disliked.

 

Best Editor, Long Form:

The editor of at least four (4) novel-length works primarily devoted to science fiction and/or fantasy, published in 2017 that do not qualify as works under Best Editor, Short Form.

For this category, I simply figured out the editors of my Best Novel choices and nominated them.

  • Jennifer Hershey
  • Will Hinton
  • Brit Hvide
  • Sean McDonald
  • Devi Pellai

 

A few years back, Kevin Standlee blogged about an idea for removing the editor categories and semiprozine and proposing three related but easier to vote on categories of publisher, anthology/collection, and professional magazine (including both pro and semi-pro, not fanzine).  However, the timing hasn’t been right to actually bring this to the Business Meeting since then.  Perhaps this will be the year since Kevin is one of the members of the Hugo Award Study Committee which will be offering suggestions.

I think I could get behind those changes.  It’s much simpler to find out who published what books as opposed to who edited them.  [ETA:  I see they very briefly had a Best SF Book Publisher category in 1964 and 1965.]  I don’t read too many anthologies or collections currently, but professional magazine would essentially be the same for me as short form editor.  What are your thoughts?